What if culture was actually nature? Can technology and botany be connected? In SONAR PARK, we address these questions from the perspective of electronic arts and new musics. Our utopia leaves behind anthropomorphic forms and search for sound experiences that connect with biological systems and non-human living. We show how organic processes can drive electric circuits (Ioana Vreme Moser) and we make the biorhythms of plants audible (Data Garden). We present the possible sonic interweaving of human and insects (Saša Spacal) and we return the early avant-gardes’ disruptive poesy to the birds (Astrid Seme).